INVESTIGATORS: Helen Smith and Lauren SmithNotes: There is a painting in the National Gallery in London (Rm 12, level 2) by Sebastiano del Piombro called The Daughter of Herodias. Lauren's friend Katie Pitts, aged around 14 or 15, is depicted as Salome with the head of John the Baptist on a plate.
According to the National Gallery, del Piombro painted it while living in Venice in 1510. He later moved to Rome and became friends with Michelangelo.
What does it mean? It's evidence of time travel.
Anything else? Did Katie travel to Venice in 1510 or did del Piombro come to south London in 1999 or 2000? If SdP came to London, how did he avoid detection? If Katie travelled to Venice, how did she avoid detection? Wouldn't it be great to put Katie in a blue satin dress and get a peaky-looking long-haired chap to lie his head on a tray, and recreate the picture in a photograph?
Categorised under: Time travel.
Edit: When contacted for comment, Katie said she had no memory of time travel but thought it possible that she had posed for a photo similar to the painting, and the painting was therefore actually painted from a photo. She said, 'I think someone travels through time selling these photos for very high prices.' It's a very interesting theory. It means neither Katie nor SdP are time travellers, but there is some unknown intermediary who is stealing photos (from Facebook?) and travelling through time to sell them, perhaps to struggling artists who later become famous, perhaps to established artists who have run out of inspiration or run out of models. If so, he or she will have done it more than once. We need to look out for evidence of other examples of this happening.
